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Title A name given to the resource Appendix D: Political Context Description An account of the resource Information on the political context of To the Lighthouse Creator An entity primarily responsible for making the resource Jonathan Chang and Theo Gray Source A related resource from which the described resource is derived various Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Excerpt from Lord Northcliffe's War Book Description An account of the resource Lord Northcliffe's account of a civilian at war, from the perspective of a newspaper company owner Creator An entity primarily responsible for making the resource Lord Northcliffe (1865-1922) Source A related resource from which the described resource is derived https://archive.org/details/lordnorthcliffes01nort/page/90/mode/2up Type The nature or genre of the resource Text Publisher An entity responsible for making the resource available New York, George H. Doran Company Date A point or period of time associated with an event in the lifecycle of the resource 1917 Contributor An entity responsible for making contributions to the resource Theo Gray and Jonathan Chang https://ctsdh.org/ENGL433/files/original/de0e12cccf9def964c22a8ed8681f73e.jpg d3a5c6dafd6bf8f2761dff03a55b748c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Appendix B: Environmental Context Description An account of the resource Information on environmental issues in To the Lighthouse Creator An entity primarily responsible for making the resource Sami Anders and Olivia Turner Source A related resource from which the described resource is derived various Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "A Crofter's House on the Moor," Isle of Skye Description An account of the resource A photograph from the Isle of Skye from the book "The Misty Isle of Skye" Creator An entity primarily responsible for making the resource J.R. Macculloch Source A related resource from which the described resource is derived https://hdl.handle.net/2027/inu.39000005762096 Type The nature or genre of the resource Book Publisher An entity responsible for making the resource available Hathi Trust Date A point or period of time associated with an event in the lifecycle of the resource 1910 Contributor An entity responsible for making contributions to the resource Sami Anders, Olivia Turner https://ctsdh.org/ENGL433/files/original/1f0dffaa3e21f3b9c689728d3e417472.jpg 3dd4c34bcfaa5c209a381c976a8124f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Appendix B: Environmental Context Description An account of the resource Information on environmental issues in To the Lighthouse Creator An entity primarily responsible for making the resource Sami Anders and Olivia Turner Source A related resource from which the described resource is derived various Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Ives 1910, from "From Devon to St. Ives" Description An account of the resource A photo taken of a beach town in St. Ives, Cornwall. Creator An entity primarily responsible for making the resource Alex Begbie, A.G. Folliott Stokes Source A related resource from which the described resource is derived https://hdl.handle.net/2027/mdp.39015063024148 Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Hathi Trust Date A point or period of time associated with an event in the lifecycle of the resource 1910 Contributor An entity responsible for making contributions to the resource Sami Anders, Olivia Turner https://ctsdh.org/ENGL433/files/original/f77e0d18d36c43a5dfbc6e823696b0ec.jpg 008f3ff272ba25188b5464e8aedac1fb https://ctsdh.org/ENGL433/files/original/5846019ba40d8e1c1c7ac1f0394e9ff2.jpg 391bfec32deb8645d00c797d40f8bd7c https://ctsdh.org/ENGL433/files/original/a3569b52defb2d8bf674e9e7b7995db3.jpg da89cf58a3ba5dc557d739ea0e194f83 https://ctsdh.org/ENGL433/files/original/252d48e6bd23a3e9571487d46a2d7b93.jpg fb9b03a6de34c59e1e5fc76cb6b841ed https://ctsdh.org/ENGL433/files/original/33cc190cacda228b42854b73599cba0c.jpg 12793b775dffc3c1b82a764a290b1f8e https://ctsdh.org/ENGL433/files/original/cd3070de85003aaa5415f3eedcc437d4.jpg 344874d3036494981a1c1aa2ba7932a7 https://ctsdh.org/ENGL433/files/original/5e5e692ccecbed7d2548b3b9a15a829b.jpg 56e2bb8ec1412759467d8800a1084896 https://ctsdh.org/ENGL433/files/original/3d62f2cb110a45daca17491eb130ed6f.jpg 5ae3da5b17d9beb49ec2a3f2f1ac9bf3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Appendix C: Economic Context Description An account of the resource Information on the economic context for To the Lighthouse Creator An entity primarily responsible for making the resource Rebecca Miller and Victoria O'Dea Source A related resource from which the described resource is derived various Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document THE Earnish Pilchard Fishery. Upon the Cornish Coast, to which the pilchard fishery is almost confined (the only other place in the United Kingdom where it is practised being the south coast of Ireland), there are two distinct systems by means of which it is carried on ; the one by means of the drift net, the other by means of the seine. The former mode is practised chiefly on the south coast. A net half-a-mile in length, with one end attached to the boat, is allowed to drift about in deep water, whither the tide may carry it. Passing shoals in their course are intercepted by it, and in their efforts to pass through, many fish become entangled in the meshes. The number thus caught of a night often amounts to several thousands per boat, but the fish are usually smaller than the seine fish. The fishing upon the north coast is, however, carried on almost exclusively by means of the seine, the principle of which is alto- gether different from that of the drift net, whilst the machinery is on a far more extensive scale. The success, too, of the seine fishery is more uncertain and the catches less frequent, although, when they do occur, the quantities are immense, one seine not un- frequently securing as many as 2000 hogsheads; many years ago, a seine at St. Ives took up as many as 5000 hogsheads. On account of the expense incurred in the prosecution of the undertaking (the seine apparatus, altogether, costing about £1500), a company is formed to supply the requisite funds. Each “concern” consists of three boats, having different names and distinct offices : first, there is the Seine-boat, which is 37ft. long; next comes the Vollier or Follower, of about the same size ; and then the Lurker, a much smaller boat, but which does all kinds of useful work, dodging about in search of the fish and hanging near the “school,” or shoal, when found. In order to avoid confusion and dispute among the different companies engaged in the fishery, (there are nine such “concerns” at Newquay) an arrangement is made between them by which each has allotted to it, during the season, a distinct portion of the bay. The stations, however, are changed daily or weekly, according to agreement: and out of its “turn” no seine may shoot, except in the absence of those deputed to occupy the adjoining stations. Along the hills and cliffs of Newquay the visitor will scarcely fail to observe posts fixed into the ground at certain intervals. The relative positions of these indi. cate to the boats out at sea their proper and distinct boundaries. The general complement to each seine is twenty men,or thereabouts, who besides their wages and allowances of drinkables, have a share in the fish caught; not a bad plan, as it ensures their best endea- vours to catch all they can. Sometimes these men, during a season, perhaps within a fortnight, will make as much as forty and fifty pounds each. Among those engaged the most conspicuous, and per- haps the most important, man is the“ huer.” It is his duty to watch all day upon the cliff or beacon for the approach of shoals of fish, which these old hands are very expert in detecting even miles away. The season during which they expect the fish to pass up and down this coast, begins generally about the month of August, and lasts until that of November. There is, however, not much success usually until the end of September or the beginning of October; the best catches being generally made in the last month. The early fish are not thought so much of, the shoals being usually lighter and the fish smaller, although they yield, proportionately, a larger quantity of oil. Let us now imagine that one of these huers, stationed upon the cliffs or beacon, sees, not far out upon the quiet sea, a momentary flash as of a silver streak. It looks, to his experienced eye, like a “break” of fish. He watches intently the same spot through his spy-glass; it breaks again ; it is without doubt a shoal of pilchards. The flashes come nearer, and now he is able to observe that there is “colour,” indicating that a large body of fish is present. The prize is worth securing, and no time must be lost. He takes his great trumpet, four feet in length, places it to his mouth, and with all his might raises the “Cry.” The sounds reverberate along the cliffs and hill-sides, and in the town; everyone both far and near hears the well-known sound. The alarm is taken up by other trum- peters, and in a few moments, upon the beacon where several of these huers are stationed, a scene of frantic excitement ensues ; each huer calling upon and cheering his own men in such terms as these : —“Hurrah the Rose," "Hurrah the Speculation,” “Hurrah the Unity,” and so on, according to the name of the seine: so that a person who knew not the cause of all this noise and excitement, might well fear that an enemy's forces were landing. These calls are momentarily responded to; for immediately along the streets are seen running, men, women, and children who call; as they run “ Hurrah, the cry is up:” the first are in breathless haste to gain and man the boats, whilst the others are all deeply anxious to wit- ness the success of an enterprise which, they know, may bring to them and to hundreds of poor homes, riches and comforts to cheer the winter gloom. In five minutes the pier is crowded with men in a state of the wildest excitement. Some eager to get on board their craft, are jumping from boat to boat, some are throwing over the mooring, whilst others are getting out the oars; so that in a wonderfully short time, one after another of these six-oared galleys emerges from the quay amidst the hurrahing and shouting of the huers, and are being rowed with racing speed to take up their respective positions, in readiness to intercept the sighted shoal. The huer, in whose "turn” the “school” may be, is always the most excited, and his crews are always the most eager to be out. The little fleet have all got out and are waiting in their turns the re-appearance of the fish, which, for a time, let us imagine, have been lost sight of. All eyes on board the boats are directed towards the huers, who from the hill and cliffs can generally discern the fish even better than those who are near. The huer directs all the movements of the crews, and by calling to them through his trum- pet and by making signals, informs them when to pull, when to ease their oars, and when to shoot the seine. The fish have again appeared. The huer, in whose turn the fish are, immediately gives orders to his seine, to pull ahead and intercept them; and the mo- ment they are in position the signal is given to shoot. The men, who have been standing in readiness at the seine for some time, throw away as fast as hands can move, the boat at the same time pulls ahead, encircling, if it can, the whole “ school ;" so that, in about five minutes, 110 fathoms of heavy net, 70 feet in depth, with leads and corks, have been cast overboard, and now the next seine boat looks out in readiness to shoot; for it is seldom that one seine succeeds in enclosing the whole of a large shoal. The first seine, then, having enclosed, the boats begin warping the net against the tide, at the same time bringing together and making secure the two ends. This being done the fish are effect- ually shut in; but they are even yet unsafe, for they are probably in deep water where a strong current is also running, there is danger therefore lest the net should get lifted, or lest the body of fish being so great should force an opening underneath, so that great care and vigilance have still to be exercised to prevent their escape. The next thing, then, is to get the seine into shallow water, and this is done by those in the boats hauling away with ropes upon the net, until it is brought in near the shore. It is only now that feel. ings of safety may be indulged in. · The fish usually come into the bay on the flood tides and frequently not before the day is drawing to a close, so that the work of warping has oftentimes to be continued through the night. Deep anxiety is felt, meanwhile, by those on shore, as to the safety of the fish, but they are re-assured at intervals during the night, by hearing the sound of distant cheering wafted across the water. This is the hurrahing of the men as they every now and then observe the jump or sparkle of the fish within the seine. The seine, then, with its living freight having been safely moored in shallow water, the process of "tucking” is commenced. When there is a heavy enclosure, they must be careful not to begin this too soon before the fish are sufficiently tame, lest by sudden fright or panic among them, a rush in one direction should force the seine and allow the fish to make their escape. The tucking forms a busy, interesting, and beautiful sight. Two boats, the seine boat and the lurker, first pull alongside the seine, which lies anchored a short dis- tance out. The larger boat has on board a net of comparatively small dimensions, which they commence shooting into the middle of the captured shoal, the smaller boat, meanwhile, by means of the splashing of oars, &c., driving the fish into the quarter where they may most easily be caught. The tuck-net is then gradually drawn up at each end, the space within the seine becoming less and less until by and bye the fish begin to swarm within their contracted limits. The net is still drawn closer to the side of the boat, and now the fish have no longer room to swim, but have acquired the appearance of one boiling, bubbling mass, whilst the silvery scales of the leaping fish sparkle with dazzling brilliancy in the shining sun. Without delay they commence getting them on board. Men sitting astride the gunwale, with one leg in the water and the other in the boat, begin with deep baskets, dipping into the seething mass. At each successive stroke they bring up a basketful of jumping, glistening fish, which they unceremoniously throw into the bottom of the boat, where they continue to jump and glitter, until borne down and covered by those that follow. As the process of emptying the tuck is continued, the net is constantly being drawn up in order to keep the fish en masse, and the baling is carried on, until at last the net is quite empty, when it is again shot and another "tuck” is made. By and bye the boat becomes laden to the gunwale. She is then rowed into the pier, whilst another takes her place at the seine. On arriving at the quay, the laden boat is at once surrounded by eager purchasers, who, in their anxiety to get served, wade up to their waists in water, or drive their carts so far out that they almost swim; and it is a most ludicrous sight on these occasions to witness the efforts made to reach the shore again; for, owing to the burden deposited in the cart, its wheels sink deeply into the sand, and the poor beast, almost drowned by the rising of the tide, is quite unable to move the load a single inch. The excitement at the pier, at these times, is tremendous, and the scene, altogether, is one worthy the pencil of Hogarth; once witnessed it can never be forgotten. During a heavy catch in which several seines have been successful, six or seven of these great boats, laden with fish, lie in the pier at one time, with all hands on board as busy as they can be, filling, with their broad wooden spades, flasket after flasket and cart after cart. During the great catch of 1866, the streets of Newquay were lined for more than half a mile with carts and carriages; and it was calculated that in one day 1300 vehicles, of all kinds, entered the town, whilst the bay was full of boats, which came from all parts of the coast to carry back a cargo of pilchards. During the time that the demands of purchasers are being attended to, cartloads of fish are being filled and carried off to the respective cellars, where preparations have been made for the "bulking” or curing. This kind of excitement continues at the quay day after day until all the fish have been taken up and disposed of. Sometimes, the catch is so great that the nets have to remain in the water a whole fortnight, before the last of the fish can be landed, during which time, the little creatures noses are rubbed quite raw in consequence of continued contact with the net in their efforts to free themselves. Whilst all this busy turmoil has been going on, in and about the quay, an equally busy and interesting scene has been carried on both day and night, in the fish cellars, by those engaged in the "bulking.” Let us pay them a visit. As we enter we shall be struck with the great hubbub and confusion of voices. The women, whom we see ranged in a long line along the side of the cellar, are in the majority, few men being present. On the floor there are great heaps of fish, from which boys and girls are seen running to and fro with baskets, supplying the wants of the bulkers; others are engaged in supplying them with salt, which lies stored at one end of the cellar. The women, then, being thus supplied with fish and salt, go on day after day and night after night, building from the ground upwards, alternate layers of fish and salt. The rapidity and precision with which they place the fish is quite astonishing, and can only be acquired after long practice. By and bye these closely packed millions assume bulky proportions and present one solid mass of fish, 5ft. high by 6ft. deep, and ranging along the whole length of the cellar. In this state they remain for five or six weeks, at the end of which time they are in condition to be packed for the Italian market. They are then taken out of bulk, carefully washed of their salt, and with great neatness and regularity packed in barrels. When full these are placed under powerful presses, by which process a quantity of oil, varying from one to three gallons per hogshead, is pressed out on to the grooved floor, along which it flows into a deep well made for its reception. After refilling and repres- sing, the barrels are finally closed up and now only await shipment. Pilchards thus prepared are called “fumadoes,” a name they have retained since the days when they used to be smoke-dried, or, more probably, they were so called by the foreign purchasers, who, never having visited Cornwall, supposed them to have been so prepared. Among the fishermen they go by the name of “fairmaids;" evidently a corruption of fumadoes. Each hogshead of fish weighs about 41 cwt., and contains about two thousand seven hundred pilchards. Their price varies very considerably, ranging from thirty to seventy shillings per hogshead, which is governed, in a great measure, by the quantity caught upon the coast during the season; the Italian market depending almost entirely for its supply, on the fishery of Cornwall. The seines of late years have been very fortunate; but for several years together there is oftentimes a total absence of success which is exceedingly trying to the speculators. During these dis- heartening periods, nets, boats, and cellars are often allowed to fall into a wretched condition, but all this is soon put right again after two or three years' good catches. Sometimes, as in the past year, 1871, large quantities of fish are enclosed, but owing to a sequence of foul weather, or to shooting too near the rocks, not only are the fish lost, but the seines are also destroyed. On some occasions the heavily laden seines have burst and nearly the whole of the fish have been washed in upon the shore. Once this happened upon a Sunday, and adequately to describe the scene upon the beach upon that occa- sion would be impossible. Every place of worship in Newquay and the neighbourhood around, if not quite empty, was nearly so, for cartloads of fish were to be had merely for the trouble of gathering them together. For weeks after, the beach was strewn with their remains. The pilchard is a very beautiful fish to look at. Not very large, being something less than the size of a herring, silvery bright with a tinge of pink here and there upon its scales, it has large lustrous, gold and black eyes; and not only are they beautiful to view but deliciously savoury to the taste when eaten fresh. Many of the poor live on them throughout the winter, and not only so but are clothed and housed and warmed by the money brought in by the fishery. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Primary Text: Cornish Pilchard Fishery Description An account of the resource An 1872 text describing the methods used to catch and package pilchards along the Cornish coast of England. Creator An entity primarily responsible for making the resource J. C. O. Source A related resource from which the described resource is derived <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.hwgc1c&amp;view=1up&amp;seq=10&amp;skin=2021">https://babel.hathitrust.org/cgi/pt?id=hvd.hwgc1c&amp;view=1up&amp;seq=10&amp;skin=2021</a> Type The nature or genre of the resource ebook Publisher An entity responsible for making the resource available Hathi Trust Date A point or period of time associated with an event in the lifecycle of the resource 12 December 2021 Contributor An entity responsible for making contributions to the resource Rebecca Miller & Tori O'Dea Subject The topic of the resource Fishing Cornwall fishing pilchards https://ctsdh.org/ENGL433/files/original/c7b64411e40a0f221739b1ee931b9e9b.jpg 939216729fb21c890c3a03933c2ee67d https://ctsdh.org/ENGL433/files/original/cf9867c691e2e30b42a7b59e931c1582.jpg dd7ff36a905dc729509875844c8176d8 https://ctsdh.org/ENGL433/files/original/f7ecff5dabee4530f198bfec8353956b.jpg 5aaf988abcdd9d2ed39c1d8f1ad63dd5 https://ctsdh.org/ENGL433/files/original/45ee03f4710639eee48d6d52e07c4867.jpg 7fc27ee44e38436f8625e922a2836bad https://ctsdh.org/ENGL433/files/original/d02c9095a59eb8f43bf247643253abe3.jpg 7b04d284e4941d1637c4a341a1578794 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Appendix C: Economic Context Description An account of the resource Information on the economic context for To the Lighthouse Creator An entity primarily responsible for making the resource Rebecca Miller and Victoria O'Dea Source A related resource from which the described resource is derived various Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document THE HOUSEKEEPER'S GUIDE TO THE FISH MARKET FOR EACH MONTH OF THE YEAR : AND SOME ACCOUNT OF FISH AND FISHERIES, TO WHICH ARE ADDED A FEW EXCELLENT Recipes for Cooking some sorts of Fish. BY THE LATE J. C. BELLAMY, F.R.C.S., Author of " Natural History of South Devon," &c. &c. EDITED AND REVISED BY SOMERS BELLAMY, Author of " The New Sheksperian Dictionary," &c. &c. London: CITY OF LONDON PUBLISHING COMPANY, LIMITED, 5, FRIAR STREET, BROADWAY, E.C. ; AND BLOOMSBURY MANSION, HART STREET, W.C. CONTENTS. PAGE INTRODUCTORY REMARKS. 1.-Economical Register and Monthly List. 17.—Table showing the months in which Fishes: are “in season.' 21.-Observations respecting the seasons in which Fishes are edible.—Fish as a Diet. 26.—Considerations connected with the econo- mical importance of our Fisheries. 34.—Migrations of Fishes. 40.-Table of the Migration of the Salmon and Peal. 44.-Economical Uses of some Fishes, in addi- tion to their common consumption. 46.-Some Baits. 49.-Memoranda respecting Fishes, &c. 56.--Additional Memoranda by the Editor. 73.—Memoranda respecting Fly-Fishing. 74.-Appendix-Law relating' to Salmon Fish- eries, &c. 77.—Recipes for cooking some sorts of Fish, culled by the Editor. A 2 PREFACE. "The author of this little book hopes it is :supererogation to suggest an apology for its production, or to argue the importance of his :subject. Every civilised community should, he thinks, be aware of the natural resources which surround it,-offering to the mercan- tile, the trading, the industrious, and even the wealthier classes much of the means of their support. He here brings under the notice of the Merchant the character and circumstances of our fisheries,-produces to the Fishmonger statements affecting his immediate interests, -offers to the Man of Science certain facts and views calculated to promote the study of fishes,-bears to the Community at large such practical information as intimately concerns Domestic Economy,—and ap- proaches the Fisherman of all estates and denominations with a few items referring to his avocations. If further pleas for the production of this work are required of him, besides those above named, he points to the importance of gathering together the scattered items of the statistical conditions of the community, PREFACE. to the undeniable need which exists for records respecting Ictluyology, whereby science may be advanced, to the demand the interests of public health make for an index which shall guide the purchase of a food variable in quality from excellence to noxiousness, in nearly all species, according to “season,” to the probably neglected sources of profit and economical arrangement, and lastly to the glaring necessity the whole condition of the Fisheries exhibits, for the appointment of legal restraints on certain practises, and of suited officers to watch the application and results of these. The tribe of fishes, greatly secluded as they are from human view, are in a very different position as respects a recorded his- tory of their numbers, habits, characters, &c., from other classes of creatures. No instru- ment has yet been devised by which our vision can penetrate the recesses of their element, and, the means we possess for withdrawing them from their abodes are particularly scanty. Observers of Nature situated like myself, under the control of restraining circumstances, cannot possibly possess themselves of very extensive information regarding the Icthyology of a country like this, presenting at once a marine and a fluviatile department: a daily pursuit of the subject by the most active measures, would alone, after the lapse of years, enable a PREFACE. vii Naturalist to acquire a fund of facts of which he could fairly boast. A great number of circumstances in the history of the tribe .conspire, also, to restrict our knowledge of it, the whole class being replete with irregu- larity of conduct. The construction of a calendar for the months will not apply rigidly to all English fisheries, as respects times of migratory and other proceedings; the males and the young of some species observe rules of their own in their move- ments ; the period allotted to spawning extends, in some species, over a considerable range of time ; some spawn at two or more different periods ; some are interfered with by circumstance of food and temperature ; hence the uncertainty of many statements even when experience is considerable. Few families or genera of fishes seem to own any common instinct or one common propensity in regard of general habits, and, though we well know that “all discord” is “harmony not understood,” we are sometimes apt to think that confusion and caprice pervade the economy of the waters. JOHN CREMER BELLAMY, F.R.C.S. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Primary Text: The housekeeper's guide to the fish market for each month of the year : and some account of fish and fisheries, to which are added a few excellent recipes for cooking some sorts of fish: Preface Description An account of the resource An 1883 "Housekeeper's Guide" to navigating the local fish markets and the seasonality of various fish in the British Isles. The full text contains seasonal calendars and a variety of recipes for the most common fish. Creator An entity primarily responsible for making the resource John C. Bellamy Source A related resource from which the described resource is derived <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.rsl5rg&amp;view=1up&amp;seq=2&amp;skin=2021">https://babel.hathitrust.org/cgi/pt?id=hvd.rsl5rg&amp;view=1up&amp;seq=2&amp;skin=2021</a>https://babel.hathitrust.org/cgi/pt?id=hvd.rsl5rg&amp;view=1up&amp;seq=2&amp;skin=2021 Type The nature or genre of the resource ebook Publisher An entity responsible for making the resource available Hathi Trust Date A point or period of time associated with an event in the lifecycle of the resource 12 December 2021 Contributor An entity responsible for making contributions to the resource Rebecca Miller & Tori O'Dea https://ctsdh.org/ENGL433/files/original/3d0e219db86b5a870071f25e31a3f6f9.jpg 929507ac964a75fe3e6409abfde0c18a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Appendix A: Aesthetic Context Description An account of the resource Information on the aesthetic context for To the Lighthouse Creator An entity primarily responsible for making the resource Rosie Frehe and Grace Watkins Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Virginia Woolf in a Deckchair, 1912 Description An account of the resource A painting by Vanessa Bell of her sister, the author Virginia Woolf, entitled Virgina Woolf in a Deckchair, (1912). Creator An entity primarily responsible for making the resource Vanessa Bell Source A related resource from which the described resource is derived The Edinburgh Companion to Virginia Woolf and the Arts Type The nature or genre of the resource Artwork Publisher An entity responsible for making the resource available Edinburgh University Press Date A point or period of time associated with an event in the lifecycle of the resource 1912 Contributor An entity responsible for making contributions to the resource Grace Watkings https://ctsdh.org/ENGL433/files/original/617b3c0c21aa7f1b452897f0e47ae447.jpg fcbdfccf06d04475a187a2463c9910e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Appendix A: Aesthetic Context Description An account of the resource Information on the aesthetic context for To the Lighthouse Creator An entity primarily responsible for making the resource Rosie Frehe and Grace Watkins Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Virginia Woolf," ca. 1917 Description An account of the resource A portrait of the author Virginia Woolf by British artist Roger Fry, dated ca. 1917. Creator An entity primarily responsible for making the resource Roger Fry Source A related resource from which the described resource is derived Wikimedia https://commons.wikimedia.org/wiki/File:Roger_Fry_-_Virginia_Woolf.jpg Type The nature or genre of the resource artwork Publisher An entity responsible for making the resource available Wikimedia https://commons.wikimedia.org/wiki/File:Roger_Fry_-_Virginia_Woolf.jpg Date A point or period of time associated with an event in the lifecycle of the resource ca. 1917 Contributor An entity responsible for making contributions to the resource Rosemary Frehe artwork Fry https://ctsdh.org/ENGL433/files/original/cf56bb807fc948bf8b7ade5bff089fdc.JPG f6a43c5e0729dae3f9244a481e5edc84 https://ctsdh.org/ENGL433/files/original/2c8669f217b377b19ec14f14cb7881af.JPG e75494062f86ef7d617e9b1a0a7d3a61 https://ctsdh.org/ENGL433/files/original/0a7b539d845a361bc9897533b8b0c0d1.JPG 2f2bfde1cebee3d586b418524a2be8fc https://ctsdh.org/ENGL433/files/original/ccfb900fb636b9cf4a70a0abe4e3c92b.JPG 3d9d701b5086912b3c95b63234a267b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Appendix A: Aesthetic Context Description An account of the resource Information on the aesthetic context for To the Lighthouse Creator An entity primarily responsible for making the resource Rosie Frehe and Grace Watkins Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data foreward or exhibition catalog Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foreward to Vanessa Bell exhibition, 1930 Description An account of the resource Virginia Woolf wrote the foreward to an exhibition catalog of her sister Vanessa Bell's recent works in 1930. Creator An entity primarily responsible for making the resource Virginia Woolf Source A related resource from which the described resource is derived The British Library https://www.bl.uk/collection-items/vanessa-bell-exhibition-catalogue-with-an-essay-by-virginia-woolf Type The nature or genre of the resource foreward to exhibition catalog Publisher An entity responsible for making the resource available The British Library https://www.bl.uk/collection-items/vanessa-bell-exhibition-catalogue-with-an-essay-by-virginia-woolf Date A point or period of time associated with an event in the lifecycle of the resource 1930 Contributor An entity responsible for making contributions to the resource Rosemary Frehe and Grace Watkins Bell https://ctsdh.org/ENGL433/files/original/bbe3f2b7ed4e92b7a975f8fc21d7925e.jpg bd70244ae3c538ca531f7cf72abce366 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Appendix A: Aesthetic Context Description An account of the resource Information on the aesthetic context for To the Lighthouse Creator An entity primarily responsible for making the resource Rosie Frehe and Grace Watkins Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data textile design Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Clouds," 1931 Description An account of the resource An abstract textile design by British artist Duncan Grant, dated 1931. Creator An entity primarily responsible for making the resource Duncan Grant Source A related resource from which the described resource is derived Charleston https://www.charleston.org.uk/product/oil-cloth-clouds-duncan-grant/ Type The nature or genre of the resource textile design Publisher An entity responsible for making the resource available Charleston https://www.charleston.org.uk/product/oil-cloth-clouds-duncan-grant/ Date A point or period of time associated with an event in the lifecycle of the resource 1931 Contributor An entity responsible for making contributions to the resource Rosemary Frehe artwork Grant https://ctsdh.org/ENGL433/files/original/1a21d33861365574e1c60993ef87df6e.jpg 48c663806adf31c72ac290cf6066b5d7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Appendix A: Aesthetic Context Description An account of the resource Information on the aesthetic context for To the Lighthouse Creator An entity primarily responsible for making the resource Rosie Frehe and Grace Watkins Type The nature or genre of the resource Text and still image Publisher An entity responsible for making the resource available various Contributor An entity responsible for making contributions to the resource Pamela Caughie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data cupboard Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Giraffe Cupboard," ca.1915-16 Description An account of the resource A cupboard with giraffe motifs designed by British artist Roger Fry, dated ca. 1915-16. Creator An entity primarily responsible for making the resource Roger Fry Source A related resource from which the described resource is derived Art Fund https://www.artfund.org/supporting-museums/art-weve-helped-buy/artwork/1888/-cupboard Type The nature or genre of the resource cupboard Publisher An entity responsible for making the resource available Art Fund https://www.artfund.org/supporting-museums/art-weve-helped-buy/artwork/1888/-cupboard Date A point or period of time associated with an event in the lifecycle of the resource ca. 1915-16 Contributor An entity responsible for making contributions to the resource Rosemary Frehe artwork Fry