Further Reading

Primary Texts

A: Desmond MacCarthy (attributed), “The Post-Impressionists,” in Manet and the Post-Impressionists (London: Ballantyne and Co, Ltd., 1910), https://archive.org/details/manetpostimpress00graf

B: Roger Fry, et. al. Second Post-Impressionist Exhibition (London: Ballantyne and Co, Ltd., 1912), https://bibliotheque-numerique.inha.fr/viewer/35311/?offset=#page=13&viewer=picture&o=bookmark&n=0&q=

C: The Grafton Galleries Neatline exhibit, an interactive replica showcasing some of the artworks originally shown at both 1910 and 1912 exhibitions over a blueprint of the gallery space. http://ctsdh.org/ENGL433/neatline/show/the-grafton-galleries

D: Roger Fry, “An Essay in Aesthetics,” in Vision and Design (Project Gutenberg: 2017), https://www.gutenberg.org/files/54154/54154-h/54154-h.htm#AN_ESSAY_IN_AESTHETICS

E: Virginia Woolf, foreward to Recent Paintings by Vanessa Bell (London: The London Artists' Association, 1930), https://www.bl.uk/collection-items/vanessa-bell-exhibition-catalogue-with-an-essay-by-virginia-woolf

Further Reading

Altshuler, Bruce. Salon to Biennial : Exhibitions That Made Art History. Vol. 1, 1863-1959. London: Phaidon, 2008, 83-89.

Gillespie, Diane F. “Virginia Woolf, Vanessa Bell and Painting." in The Edinburgh Companion to Virginia Woolf and the Arts, edited by Maggie Humm, 121–39. Edinburgh University Press, 2010. http://www.jstor.org/stable/10.3366/j.ctt1g0b0wh.12.

Harrington, Henry R. “The Central Line down the Middle of ‘To the Lighthouse.’” Contemporary Literature 21, no. 3 (1980): 363–82. https://doi.org/10.2307/1208247.

Nicholson, Benedict. “Post-Impressionism and Roger Fry,” The Burlington Magazine 93, no. 574 (1951): 11. http://www.jstor.org/stable/870622.